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Sunday, 29 April 2012

Dsdn144 - Project 2 - Precedence - Alexey Titarenko




Alexey Titarenko has composed a series of photos set in his hometown of St Petersberg during the early 1990s during a depression caused by the fall of communism in Russia. He sought to convey the immense sadness and unrest amoung the city using ghostly images and "attempt(ed) to show events that occurred not only here, but throughout the country - the changes, the catastrophies, and the human tragedies, which have swept this city and the people of this land.” By using similar methods i hope to be able to convey the emotions of peoples interaction with space over time in Wellington, and possible use greyscale to enhance this. 

Dsdn144 - Project 2 - Revised Proposal

Revised Proposal - Time

In failing to develop any strong ideas through the technique of stop motion i have changed my proposal for this project. Chromatography has caught my interest and through viewing Alexey Titarenko's work, i manifested an idea using this technique. I will investigate peoples interaction with certain places by setting up multiple time lapse. Then using all these images i will layer them on top of one another and to gauge the most frequent changes within the frame. This will hopefully give an interesting understanding of how the public has interacted with this space over the period of the time lapse.

Dsdn 144 - Project 2 - Stop Motion Concept



For my stop motion i am attempting to explore different methods of time keeping. I have used a time lapse of a candle as part of my final stop motion piece.

Dsdn 144 - Project 2 - Stop Motion Contact Sheets




Thursday, 26 April 2012

DSDN111 - Project 2 - Precedence Investigation


Peter Eisenman's City of Culture of Galicia

Xray Of The Human Brain Highlighting Bloodflow


Through exploring the influence of organic and synthetic formations on modern design and architecture i have come across two designs i feel have been directly influenced by the algorythmic repitition and complexity of these designs. Peter Eisemans City of Culture of Galicia shows a direct reflection of the complex algorythmic angular form found in Asbestos fibers and other microscopic synthetic formations. There is also a direct resemblance between the formation of artiries in the human brain and Ross Lovegroves Solar tree. Both designers seemed to have obtained influence from complect organic/synthetic formations, enabling them to show strong angular and fluid form in their designs.  

Wednesday, 25 April 2012

DSDN144 - Project 2 - Stop Motion Precedence/Inspiration


Stop Motion Using Candles

This clip is by the YouTube producer "Brusspup" and is an experimentation with candles and stop motion. I am looking at integrating candles into my stop motion piece and i found the use of fire to be an interesting aesthetic. I feel this clip would have been more effective contrasting itself against darkness or even just a black background. I will continue to investigate this aesthetic through different precedence. 

Source: http://www.youtube.com/watch?v=EG127HdhWZQ

DSDN 111 - Project 2 - Fluid Motion - Precedence Investigation

 Asbestos Fibers - Angular Motion

The Human Brain - Fluid Motion 

 Through lacking any instant inspiration for this project I have begun to explore organic forms that display examples of Angular and Fluid motion. The first image displays the intricate angular motion of asbestos fibers under a microscope. Similar to the intricacy of the asbestos fibers the second picture is an xray of the human brain, it to a complex form. I feel the fluidity of this form will provide a sufficient amount of means for abstraction. 
 
Picture Sources: 
 
http://www.google.com/imgres?hl=en&safe=active&client=firefox-a&hs=p4d&sa=X&rls=org.mozilla:en-US:official&biw=1280&bih=666&tbm=isch&prmd=imvnsl&tbnid=JvdGpFblw9f0YM:&imgrefurl=http://en.wikipedia.org/wiki/Asbestos&docid=-Y97YtvJtzzvGM&imgurl=http://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Anthophyllite_asbestos_SEM.jpg/220px-Anthophyllite_asbestos_SEM.jpg&w=220&h=220&ei=q7WXT-6QAY_KmAWCwailBg&zoom=1&iact=hc&vpx=206&vpy=165&dur=945&hovh=176&hovw=176&tx=84&ty=111&sig=102126465169980943602&page=1&tbnh=147&tbnw=147&start=0&ndsp=18&ved=1t:429,r:0,s:0,i:69

http://s467.photobucket.com/albums/rr33/ama-mama/?action=view&current=THEBRAINPART3.jpg&newest=1

Tuesday, 3 April 2012

Blog 3 - 171 - Antique Hunter


French Rococo
The mirror I have chosen is claimed to be an antique French Rococo mirror.  At the modest price of $200 it remains to be seen whether this is authentic French Rococo or just a revival without being able to view the mirror and identify its materials. However the many conventions it follows are true to the French Rococo style.
Historically, French Rococo designs were that of intricacy. This was reflective of an economically healthy time period for the consumers of art in 18th century France who wanted homes “richly decorated in rococo style. Comfort became a major issue in the discreet living of the wealthy” (Pile, 2005). The cost of Rococo was high because of the time the craftsman had to put in to the work, which the intricacies of this mirror display. This intricacy was also a direct reaction to the restrictions of the precedent style of Baroque, which Rococo replaced.
In style terms the mirror has the all the core values of French Rococo. The selection of gold, or gold lacquer showed the wealth of its time period.  The aquatic curves, skewed proportions and its Asymmetry of the mirror are or Rococo styling’s as they are a reaction to baroques formality. Adding to this, the fact that the design of the mirror frame is intrusive to the function of the mirror itself is goes against the principal restraints of baroque.  Rococo designers no longer bound by restrictions of function, “architectural and sculptural features are eliminated so that the designer is confronted with a smooth surface, interrupted only by the window recesses and the chimney piece” (Kitson, 1997).
The cultural context in which Rococo developed is intrinsic to this mirror. The form itself shows aquatic curves, A feminine trait that had seldom been seen and is the polar opposite of masculine styles such as Neoclassicism. On a whole it is safe to say this a French Rococo Mirror but this analysis is inconclusive as to its authenticity as rococo has so much more depth to its principals than what we can only view and not touch.
Sources
Kitson, M. (1997) The History Of Art (9th ed.). University of London, London.
Townley, A. (Ed.). (2005). A history of interior design. Laurence king publishing London, UK.


144 - Project 2 - Time - Proposal

I am looking to explore the way time can be easily represented using just shapes through the medium of stop motion. Because the concept of time, and its 12 divisions has been indoctrinated in us from such an early age, i propose that by using an animation of the most basic symbols, i can communicate a visual sense of time passing. I will investigate several animated symbols that convey this idea within the time restriction. For a basic concept of this idea i have made a quick and rough stop motion using 14 triangle cut-outs. I will en devour to vastly improve my stop motion skills for my final presentation but i feel this effectively communicates my concept. Rough Stop Motion Concept