Alexey Titarenko has composed a series of photos set in his hometown of St Petersberg during the early 1990s during a depression caused by the fall of communism in Russia. He sought to convey the immense sadness and unrest amoung the city using ghostly images and "attempt(ed) to show events that
occurred not only here, but throughout the country - the changes, the
catastrophies, and the human tragedies, which have swept this city and
the people of this land.” By using similar methods i hope to be able to convey the emotions of peoples interaction with space over time in Wellington, and possible use greyscale to enhance this.
About Me
Sunday, 29 April 2012
Dsdn144 - Project 2 - Revised Proposal
Revised Proposal - Time
In failing to develop any strong ideas through the technique of stop motion i have changed my proposal for this project. Chromatography has caught my interest and through viewing Alexey Titarenko's work, i manifested an idea using this technique. I will investigate peoples interaction with certain places by setting up multiple time lapse. Then using all these images i will layer them on top of one another and to gauge the most frequent changes within the frame. This will hopefully give an interesting understanding of how the public has interacted with this space over the period of the time lapse.
In failing to develop any strong ideas through the technique of stop motion i have changed my proposal for this project. Chromatography has caught my interest and through viewing Alexey Titarenko's work, i manifested an idea using this technique. I will investigate peoples interaction with certain places by setting up multiple time lapse. Then using all these images i will layer them on top of one another and to gauge the most frequent changes within the frame. This will hopefully give an interesting understanding of how the public has interacted with this space over the period of the time lapse.
Dsdn 144 - Project 2 - Stop Motion Concept
For my stop motion i am attempting to explore different methods of time keeping. I have used a time lapse of a candle as part of my final stop motion piece.
Thursday, 26 April 2012
DSDN111 - Project 2 - Precedence Investigation
Peter Eisenman's City of Culture of Galicia
Xray Of The Human Brain - Highlighting Bloodflow
Through exploring the influence of organic and synthetic formations on modern design and architecture i have come across two designs i feel have been directly influenced by the algorythmic repitition and complexity of these designs. Peter Eisemans City of Culture of Galicia shows a direct reflection of the complex algorythmic angular form found in Asbestos fibers and other microscopic synthetic formations. There is also a direct resemblance between the formation of artiries in the human brain and Ross Lovegroves Solar tree. Both designers seemed to have obtained influence from complect organic/synthetic formations, enabling them to show strong angular and fluid form in their designs.
Wednesday, 25 April 2012
DSDN144 - Project 2 - Stop Motion Precedence/Inspiration
Stop Motion Using Candles
This clip is by the YouTube producer "Brusspup" and is an experimentation with candles and stop motion. I am looking at integrating candles into my stop motion piece and i found the use of fire to be an interesting aesthetic. I feel this clip would have been more effective contrasting itself against darkness or even just a black background. I will continue to investigate this aesthetic through different precedence.
Source: http://www.youtube.com/watch?v=EG127HdhWZQ
DSDN 111 - Project 2 - Fluid Motion - Precedence Investigation
Asbestos Fibers - Angular Motion
The Human Brain - Fluid Motion
Through lacking any instant inspiration for this project I have begun to explore organic forms that display examples of Angular and Fluid motion. The first image displays the intricate angular motion of asbestos fibers under a microscope. Similar to the intricacy of the asbestos fibers the second picture is an xray of the human brain, it to a complex form. I feel the fluidity of this form will provide a sufficient amount of means for abstraction.
Picture Sources:
http://www.google.com/imgres?hl=en&safe=active&client=firefox-a&hs=p4d&sa=X&rls=org.mozilla:en-US:official&biw=1280&bih=666&tbm=isch&prmd=imvnsl&tbnid=JvdGpFblw9f0YM:&imgrefurl=http://en.wikipedia.org/wiki/Asbestos&docid=-Y97YtvJtzzvGM&imgurl=http://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Anthophyllite_asbestos_SEM.jpg/220px-Anthophyllite_asbestos_SEM.jpg&w=220&h=220&ei=q7WXT-6QAY_KmAWCwailBg&zoom=1&iact=hc&vpx=206&vpy=165&dur=945&hovh=176&hovw=176&tx=84&ty=111&sig=102126465169980943602&page=1&tbnh=147&tbnw=147&start=0&ndsp=18&ved=1t:429,r:0,s:0,i:69
http://s467.photobucket.com/albums/rr33/ama-mama/?action=view¤t=THEBRAINPART3.jpg&newest=1
Monday, 23 April 2012
Tuesday, 3 April 2012
Blog 3 - 171 - Antique Hunter
French Rococo
The mirror I have
chosen is claimed to be an antique French Rococo mirror. At the modest price of $200 it remains
to be seen whether this is authentic French Rococo or just a revival without
being able to view the mirror and identify its materials. However the many
conventions it follows are true to the French Rococo style.
Historically, French
Rococo designs were that of intricacy. This was reflective of an economically
healthy time period for the consumers of art in 18th century France
who wanted homes “richly decorated in rococo style. Comfort became a major
issue in the discreet living of the wealthy” (Pile, 2005). The cost of Rococo
was high because of the time the craftsman had to put in to the work, which the
intricacies of this mirror display. This intricacy was also a direct reaction
to the restrictions of the precedent style of Baroque, which Rococo replaced.
In style terms the
mirror has the all the core values of French Rococo. The selection of gold, or
gold lacquer showed the wealth of its time period. The aquatic curves, skewed proportions and its Asymmetry of
the mirror are or Rococo styling’s as they are a reaction to baroques
formality. Adding to this, the fact that the design of the mirror frame is
intrusive to the function of the mirror itself is goes against the principal
restraints of baroque. Rococo
designers no longer bound by restrictions of function, “architectural and
sculptural features are eliminated so that the designer is confronted with a
smooth surface, interrupted only by the window recesses and the chimney piece” (Kitson,
1997).
The cultural context
in which Rococo developed is intrinsic to this mirror. The form itself shows
aquatic curves, A feminine trait that had seldom been seen and is the polar
opposite of masculine styles such as Neoclassicism. On a whole it is safe to
say this a French Rococo Mirror but this analysis is inconclusive as to its
authenticity as rococo has so much more depth to its principals than what we
can only view and not touch.
Sources
Kitson, M. (1997) The
History Of Art (9th ed.). University of London, London.
Townley, A. (Ed.). (2005).
A history of interior design. Laurence
king publishing London, UK.
144 - Project 2 - Time - Proposal
I am looking to explore the way time can be easily represented using just shapes through the medium of stop motion. Because the concept of time, and its 12 divisions has been indoctrinated in us from such an early age, i propose that by using an animation of the most basic symbols, i can communicate a visual sense of time passing. I will investigate several animated symbols that convey this idea within the time restriction. For a basic concept of this idea i have made a quick and rough stop motion using 14 triangle cut-outs. I will en devour to vastly improve my stop motion skills for my final presentation but i feel this effectively communicates my concept. Rough Stop Motion Concept
Sunday, 1 April 2012
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