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Tuesday, 3 April 2012

Blog 3 - 171 - Antique Hunter


French Rococo
The mirror I have chosen is claimed to be an antique French Rococo mirror.  At the modest price of $200 it remains to be seen whether this is authentic French Rococo or just a revival without being able to view the mirror and identify its materials. However the many conventions it follows are true to the French Rococo style.
Historically, French Rococo designs were that of intricacy. This was reflective of an economically healthy time period for the consumers of art in 18th century France who wanted homes “richly decorated in rococo style. Comfort became a major issue in the discreet living of the wealthy” (Pile, 2005). The cost of Rococo was high because of the time the craftsman had to put in to the work, which the intricacies of this mirror display. This intricacy was also a direct reaction to the restrictions of the precedent style of Baroque, which Rococo replaced.
In style terms the mirror has the all the core values of French Rococo. The selection of gold, or gold lacquer showed the wealth of its time period.  The aquatic curves, skewed proportions and its Asymmetry of the mirror are or Rococo styling’s as they are a reaction to baroques formality. Adding to this, the fact that the design of the mirror frame is intrusive to the function of the mirror itself is goes against the principal restraints of baroque.  Rococo designers no longer bound by restrictions of function, “architectural and sculptural features are eliminated so that the designer is confronted with a smooth surface, interrupted only by the window recesses and the chimney piece” (Kitson, 1997).
The cultural context in which Rococo developed is intrinsic to this mirror. The form itself shows aquatic curves, A feminine trait that had seldom been seen and is the polar opposite of masculine styles such as Neoclassicism. On a whole it is safe to say this a French Rococo Mirror but this analysis is inconclusive as to its authenticity as rococo has so much more depth to its principals than what we can only view and not touch.
Sources
Kitson, M. (1997) The History Of Art (9th ed.). University of London, London.
Townley, A. (Ed.). (2005). A history of interior design. Laurence king publishing London, UK.


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